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CANON C200 + ATOMOS NINJA INFERNO BUNDLE OFFER

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KD2,299.000
Product code: 333000849

Availability: In stock

Highlights:

- Super 35mm CMOS Sensor
- Dual Pixel CMOS AF Technology
- Dual DIGIC DV 6 Processors
- 4K DCI and UHD, 1920 x 1080
- 59.94/50/29.97/25/24/23.98p & 120p in HD
- Canon RAW Light, MP4, MP4 Proxy
- Integrated EVF, 2 x XLR Audio Inputs
- Rotating 4" LCD Monitor, Camera Grip
- 1 x CFast Card, 2 x SD Card Slots
- SDI, HDMI, Ethernet Connectors
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Details

Canon's EOS C200 EF Cinema Camera features a built-in EVF, 4" LCD screen, top handle, Super 35mm CMOS sensor, and Dual Pixel Autofocus. The EF lens mount on the EOS C200 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with Canon's Dual DIGIC DV 6 image processor, allowing it to capture and record up to 4K DCI resolution.

The C200 can also record Canon's Cinema RAW Light internally via its single CFast card slot. The camera also incorporates two SD card slots for recording 4K UHD/HD MP4 video. A built-in EVF enables the camera to maintain a small footprint when you shoot. However, the included removable 4" LCD screen as well as the included top handle and camera grip make this camera at home on larger shoots. You can output video via the camera's SDI output, and the built-in XLR connectors provide two channels of audio at line, mic, and mic+48V level. A built-in Ethernet connector provides input/output control.

Main Features

Canon Super 35mm CMOS Sensor
Modeled on the Super 35mm motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080).
Dual Pixel CMOS AF Technology
Provides continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus. 

Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
Dynamic Range, ISO Range
The C200 features a dynamic range of approximately 13 stops, and an ISO range of 160 to 25,600. You can also select an expanded ISO range of 100 to 102,400. It supports Wide DR Gamma, Canon Log and Canon Log 3.
Dual Canon DIGIC DV 6 Image Processor
The camera features Dual DIGIC DV 6 processors to handle the internal data processing.
Ultra-High-Resolution EVF
The EOS C200 features a built-in 0.46", 1.23 MP color EVF and 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort.
4" LCD Touch Screen Camera Grip and Top Handle
Included with the C200 is a removable 4" Touch Screen LCD viewfinder. Also included with the C200 is a camera control handgrip as well as a removable top handle.
Rich Audio Controls
Built directly into the C200 are two XLR audio inputs with +48V phantom power, and a 3.5mm microphone terminal is also built into the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs as well as the mic terminal have the option for automatic as well as manual gain control.
Canon Cinema RAW Light
This codec allows you to record raw data internally to a CFast 2.0 card via the camera's single CFast card slot. The CFast card slot enables capturing 4K DCI in Canon's Cinema RAW Light format.
MP4 Recording
  • 4K UHD and Full HD recording onto SD cards is available via the two SD card slots.
  • Slow motion recording, pre-recording, frame recording, interval recording
Recording Functions
Relay recording, double slot recording
High-Speed Shooting
You can choose to record at 120/100p when recording in Full HD.
White Balance
AWB
Kelvin setting (setting range: 2000K to 15000K/-20CC to +20CC)
Daylight
Tungsten
Set A
Set B
Other Recording Functions
Custom picture setting
Black balance adjustments
Color bars
Peaking display
Zebra display
My Menu setting
Waveform monitor display
Assignable buttons (1-17)
Key lock
Marker display
Enlarged display
Custom display
Peripheral illumination correction
GPS support (GP-E2)
Monaural microphone
Playback Operations
Normal playback, fast forward (at speeds of ×5, ×15, ×60), fast reverse (at speeds of ×5, ×15, ×60), frame forward, frame reverse, rec review
Clip Display
3x4 (clip) index screen (raw/MP4/Photo)

ATOMOS NINJA INFERNO 7" 4K HDMI RECORDING MONITOR ATOMNJAIN1

 Able to record DCI and UHD 4K signals at up to 60 fps, the Atomos Ninja Inferno makes a great companion to cameras and camcorders that output uncompressed video over HDMI. The monitor itself features 10-bit FRC processing and AtomHDR display technology that supports a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.

In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an included snap-on sun hood is available, as displaying a wider brightness range reduces the overall brightness of the monitor.

Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software. Standard 2.5" SATA III recording media is supported, with compatible SSDs able to record in all formats including 4K and high-frame-rate HD.

Note: check the Atomos website for an updated list of supported drives

Built to withstand the rigors of production, the Ninja Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Like its predecessor, the Ninja Flame, the Inferno features dual Sony L-Series battery plates that support battery hot-swapping, enabling longer run times with hot-swapping. For audio recording, the monitor supports balanced XLR inputs with 48V phantom power and XLR outputs via separately available audio breakout cables. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools. A power supply, SSD Caddy, and a travel case are included with the unit.

AtomHDR
With AtomHDR you can monitor up to 10 stops of dynamic range of your camera's LOG image. Most conventional monitors can only display 6 or 7 stops, which is fine for standard footage, but a LOG image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.
4K 60p Capabilities
Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit-rates are available to fit your project and storage needs.
Audio I/O
Audio can be input and output via the multi-pin locking connector. Separately available breakout cables can provide XLR audio input with 48v phantom power and output. A 3.5mm headphone jack on the side can be used for convenient audio monitoring.
7" Daylight Viewable Screen
The Ninja Inferno's 7" LCD screen is illuminated by a bright 1500 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.
HDR Signal Management
LOG and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja Inferno's built-in HDR signal management functions, the LOG signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment

Additional Information

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Technical Specifications
Type CMOS
Color Filter System RGB Primary filter (Bayer array)
Sensor Size Super 35
24.6 x 13.8mm effective size / 6.4 x 6.4µm pixel pitch
Total Pixels Approx. 9.84 MP (4206 x 2340)
Effective Pixels 4096 x 2160/2048 x 1080: approx 8.85 MP (4096 x 2160)
3840 x 2160 / 1920 x 1080: a pprox. 8.29 MP (3840 x 2160)
Scanning System Progressive
Dynamic Range Canon Log 3: 1600% (ISO 800 or above)
Canon Log/Wide DR: 800% (ISO 400 or above)
Processor 2 x DIGIC DV 6
Lens System
Lens Mount EF
Built-In ND Filters Standard: 2, 4, 6 stops
Expanded: 2, 4, 6, 8, 10 stops
Exposure and Metering
Exposure Modes Manual
Push Auto
Auto
Gain Normal: -2 dB to 44 dB
Expanded: -6 to 54 dB
ISO Range Standard: 160 to 25,600
Expanded: 100 to 102,400
Shutter Modes Off, Speed, Angle, Slow Shutter, Clear Scan
Focus Control
Focus Modes Manual
Auto
Autofocus System Focus Guide
Please note: the below modes require lenses that support AF functions
Dual Pixel CMOS AF (DAF) supported
Manual focus
One-shot AF
Continuous AF
AF-Boosted MF
Face Detection AF
Video
Signal System NTSC/PAL
System Frequency Selection 59.94 Hz
50 Hz
24 Hz
Video Format Cinema Raw Light
Resolution: 4096 x 2160
Bit Depth: 12-bit (29.97P/23.98P/25P/24P), 10 bit (59.94P/50P)
Bit Rate: 1 Gbps
 
MP4
Resolution / Color Sampling: 3840 x 2160 YCC420 8-bit, 1920 x 1080 YCC420 8-bit
Frame Rates 3840 x 2160: 60p, 30p, 24p
Frame Rates 1920 x 1080: 120p, 60p, 30p, 24p
Bit Rate: 150 Mbps (3840 x 2160), 35 Mbps (1920 x 1080)
 
MP4 (Proxy)
Resolution / Color Sampling: 2048 x 1080 YCC420 8-bit
Bit Rate: 35 Mbps (2048 x 1080)
Recording Media CFast Card: 1 x slot (raw recording)
SD Card: 2 x slots (MP4 and JPEG recording)
Frame Rate 59.94 Hz Mode
59.94i/p, 29.97p, 23.98p
 
50 Hz Mode
50i/p, 25p
 
24 Hz Mode
24p
Time Code Drop Frame (in 59.94/29.97 mode only) or Non-Drop Frame
Rec run, free run, regeneration
Audio
Audio Recording Raw: Linear PCM 16-bit 48 kHz 4-ch
MP4: MPEG-4 AAC-LC 16-bit 48 kHz 2-channel, Linear PCM 16-bit 48 kHz 4-ch
Built-In Microphone None
Audio Inputs 2 x XLR 
1 x Mic jack
Phantom Power +48V
Viewfinder
Type Built-In: 0.46" (1.32 cm) diagonal, color
1,770,000 dots
LCD Display
Type Rotating color LCD
Size: 4.00" / 10.16 cm
Resolution: 1,230,000 dots
Aspect Ratio
16:09
Inputs/Outputs
SDI SDI: 1 x BNC (output)
HDMI Output 1 x HDMI Type A (Supports UHD 4K Output)
Audio Input Terminals 2 x Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) 1 x 3.5mm microphone jack
Headphone Connector 3.5mm stereo mini-jack
General Connectors
1 x Remote
1 x Ethernet
1 x USB
1 x Video
General
Power Supply 14.4 VDC (battery pack)
16.7 VDC (DC input)
Dimensions (W x H x D) 5.7 x 6 x 7" / 14.48 x 15.24 x 17.78 cm (body only)
7 x 6 x 8" / 17.78 x 15.24 x 20.32 cm (with camera grip)
13.2 x 10.8 x 10.8" / 33.53 x 27.43 x 27.43 cm (camera grip + LCD Monitor LM-V1 + LCD Attachment Unit LA-V1 + Handle Unit HDU-2 + mic holder)
Weight 3.2 lb / 1.5 kg (approximately)

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