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CANON C300 MARK II + ATOMOS SHOGUN FLAME 7" BUNDLE OFFER

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KD3,199.000
Product code: 333000772

Availability: In stock

Highlights:

- Super 35mm CMOS Sensor
- 4K,1920x1080 60/50i, 23.98/25p True 24p
- Canon XF AVC H.264 Codec
- EF Lens Mount
- with Dual Pixel CMOS AF
- Rotating 4" LCD Monitor
- 2x 3G-SDI Output, 2x SLR Inputs
- 2x CFast Card Slots
- Timecode I/O, Genlock In & Sync Out
- Canon Log 2 Gamma
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Details

The EF-mount C300 Mark II Cinema EOS Camcorder Body with Dual Pixel CMOS AF features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews.

The EF lens mount on the EOS C300 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to Full HD resolution video to CFast 1 cards using the XF-AVC codec, and H.264 format in MXF wrapper. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.

In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.

Dual Pixel CMOS AF Technology

It provides continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.

Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.

MAIN FEATURES

Canon Super 35mm CMOS Sensor

Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080)

Canon Log Gamma

Canon Log Gamma 2/ACES/REC.2020 support

Dual Canon DIGIC DV 5 Image Processor

The camera features Dual DIGIC DV 5 processors to handle the internal data processing.

XF AVC Codec

To create digital files robust enough for major postproduction, the EOS C300 delivers the highest image quality with its XF AVC Codec - an H.264 format wrapped in the widely-supported MXF wrapper

Designed with Filmmakers in Mind

A logical layout of buttons and dials make operation simple. A lock switch turns off all controls except the recording button and function buttons. Small ridges between the buttons help prevent activating functions by mistake. A backlit display panel is great for low-light viewing. A tally lamp is clearly visible from the side or behind the camera.

Compact & Modular Design

The EOS C300 body is compact and easily handheld at just over 3 lb. There is a bright 1.55 Megapixel electronic viewfinder, and the camera comes bundled with a removable combination 4", 1.23 Megapixel monitor and control panel. The camera also has a removable handgrip with a control dial and function buttons for handheld shooting in DSLR style, or remove it and use the supplied thumb rest for completely stripped-down shooting. The EOS C300 has a manually operated built-in neutral density (ND) glass filter offering 1/4, 1/16, and 1/64th steps of filtering. Handheld or using a tripod, on location or in the studio, even on 3-D rigs, the EOS C300 fits shooting situations that are challenging for larger cameras.

Rugged, Durable & Quiet

The EOS C300's dust-proof and splash-proof design includes sealing gaskets around the edges of all access covers, dials fitted with o-rings on the axis of rotation, and button key-tops sealed with rubber. The EOS C300 also features a built-in silent cooling system with a heat-dissipating duct in the center of the body, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes, and a cooling fan that pulls hot air out through an exhaust opening. All air is directed through a discrete pathway that keeps dust particles away from sensitive components. Your camera runs cool, quiet, and clean.

Ultra-High-Resolution EVF

The EOS C300 features a 0.46", 1.17 Megapixel color EVF and 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort. EVF adjustments include brightness, contrast, color, and backlight (Normal or Bright).

Rich Audio Controls

When mounted to the EOS C300 Mark II camera, the included control unit provides two XLR audio inputs with +48V phantom power. A 3.5mm microphone terminal is also built in to the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs, as well as the mic terminal have the option for automatic, as well as full manual gain control (-Infinity to +18dB). Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring.

CFast Memory Card Recording

The camera records to CFast 1 cards through two slots.

High-Speed, Slow-Motion, Time-Lapse & Stop-Motion

Beyond the advantages of file-based recording, the camera offers a number of creative possibilities in post-production including Slow & Fast motion.

Connectivity

To connect to external monitors, switchers, VTRs, and NLE systems with SDI inputs, the EOS C300 features industry-standard HD-SDI output, genlock, and timecode terminals, plus audio terminals with linear PCM recording. Timecode and genlock enable synchronized multiple camera capture, perfect for multiple-camera shots, 3D acquisition, and more. The HD-SDI sync terminal can be switched to output to HD Sync, HD Y, Black Burst, and Composite.

Full Manual Control & Focusing Aids

The camera has a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green, and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. The Vectorscope (VS) display shows real-time hue and saturation levels. For sharp focus, the EOS C300 camera has two peaking modes and a magnified focus assist function. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera's 4" LCD monitor. To maintain proper highlight exposure, it offers a zebra bar feature as well.


 

The Atomos Shogun Flame is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160), recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes and Avid DNxHR codecs. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.

The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in pre-sets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.

In addition to HDR monitoring, the monitor also offers a High-Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an included snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.

Built to withstand the rigors of production, the Shogun Flame features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Flame now features dual Sony L-Series battery plates that support battery hot-swapping, enabling longer run times. For audio recording, the monitor supports balanced XLR inputs with +48V Phantom Power via an included audio breakout cable. Additional features included Genlock / LTC input, SDI/HDMI cross-conversion, and a variety of onscreen exposure analysis, framing, and focus assist tools. An AC adapter is included, as is a Master Caddy II 2.5" drive enclosure. For protection during storage and transport, a zippered travel case is also included.


Monitor

  • 1920 x 1200 resolution
  • 10-bit FRC monitoring processing
  • 1500 cd/m² brightness
  • AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
  • Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
  • High-Bright mode for Rec. 709 viewing
  • Supports custom 3D LUTs (.cube format)
  • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
  • 4K UHD downscale for HD monitoring


Input/Output

  • 4K HDMI and 12G-SDI inputs / outputs
  • SDI/HDMI cross-conversion
  • Genlock / LTC input
  • Audio breakout cable for XLR audio input


Recording

  • UHD 4K recording at 24/25/30 fps
  • 1080p recording up to 120 fps
  • 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
  • 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
  • Pre-roll record (HD 8 seconds, 4K 2 seconds)
  • Custom time-lapse mode
  • 10 metadata fields


Additional Features

  • Dual Sony L-Series battery slots support hot-swappable for continuous power
  • Built-in armor with silicone-covered corners
  • Audio level meters and mic level adjustment

 


 

Additional Information

Send inquiry? No
Technical Specifications
Type CMOS
Sensor Size Super 35
  24.6 x 13.8mm effective size / 6.4 x 6.4µm pixel pitch
Effective Pixels Approx. 8.85 Mp (4096 x 2160)
  Approx. 8.29 MP (3840 x 2160
Total Pixels Approx. 9.84 Mp (4206 x 2340)
Scanning System Progressive
Filter RGB primary color filter (Bayer array)
Processor 2 x DIGIC DV 5
Lens System  
Lens Mount EF
Built-In ND Filters Standard: 2, 4, 6 Stops
  Expanded: 2, 4, 6, 8, 10 Stops
Exposure and Metering  
Exposure Modes Manual
Gain Normal: -2 dB to 44 dB
  Expanded: -6 to 54 dB
ISO Range Standard: 160 to 25,600
  Expanded: 100 to 102,400
Shutter Modes Off, Speed, Angle, Slow Shutter, Clear Scan
Shutter Speed 59.94i/59.94p: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 - 250.70 Hz
  29.97p: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15; CS: 29.97 - 250.70 Hz
  23.98p/24p: 1/24 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.97 - 250.70 Hz
  50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 - 250.70 Hz
  25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 - 250.70 Hz
Shutter Angle 59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
  29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25
  23.98p/24p: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
  50i/50p: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
  25p: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25
Focus Control  
Focus Modes Manual
  Auto
Autofocus System Dual Pixel CMOS
Video  
Signal System NTSC/PAL
Compression XF AVC - H.264 in MXF wrapper
Bit Rates Intra: 410 / 225 / 210 / 110 Mbps
  LongGOP: 50 Mbps
  LongGOP (Proxy): 35 or 24 Mbps (for proxy recording on SD cards)
Color Space 4:2:2 (YCC) 10-bit*
  4:4:4 (RGB) 12- or 10-bit 
   
  *Only available with 2048 x 1080 or 1920 x 1080 at 29.97p, 23.98p, 25.00p, and 24.00p
System Frequency Selection 59.94 Hz,br> 50 Hz
  24 Hz
Video Format XF AVC
  Video compression Formats: MPEG-4 AVC/H.264
  CFast Card
  Intraframe Recording Resolution : 4096x2160/3840x2160, 2048x1080, 1920x1080
  Signal Configuration : Y CC422/RG84 44 (10/12-bit)(Only with 2048x1080 or 1920x1080; 29.97p, 23.98p, 25p and 24p)
  LongGOP Resolution: 2048 x 1080/1920 x 1080
  Signal: YCC422 10-bit
   
  SD Card
  LongGOP Recording Only (Proxy)Resolution : 2048 x 1080 / 1920 x 1080
  Signal: YCC420 8-bit
   
  Photo: JPEGResolution : 2048 x 1080, 1920 x 1080
Recording Media CFast Card: 2 x slots 
  SD Card: 1 x slot
Frame Rate 59.94 Hz Mode
  59.94i/p, 29.97p, 23.98p
   
  50 Hz Mode
  50i/p, 25p
   
  24 Hz Mode
  24p
Audio  
Audio Recording Linear PCM; 2-channel; 16/24-bit; 48 kHz 4-ch
Built-In Microphone None
Audio Inputs 2 x XLR (auto and manual level settings), switchable between mic/line
  1 x 3.5mm microphone jack
Channel Selection 2-channel recording
XLR Mic Trimming -12, -6, 0, or +12 dB
Limiter Available
Recording Levels -∞ to +18 dB
Phantom Power +48V
Headphone Output Level 16 settings; volume is muted at lowest setting
Tone 1 KHz tone available; -12, -18, or -20 dB
Monitor  
Type Rotating color LCD
  4" (10.16 cm) diagonal
  1,230,000 dots
Aspect Ratio 16:09
Viewfinder  
Type 0.46" (1.32 cm) diagonal, color
  1,170,000 dots
Angle Adjustment Up and down 60°
Features  
White Balance Manual
  2 Custom (2000 to 15,000K)
  Daylight (5400K)
  Tungsten (3200K)
Exposure & Focus Aids Peaking (2 types), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode
   
  Note: Zebra can be output via the SDI or HDMI jack (HD only)
Playback Index Displays: Index Display, Normal, "OK Mark" Index, "Check Mark" Index, "Shot Mark" Index, Expand Index, Photo Index
  Clip Playback: Forward Search (5x, 15x, 60x), Reverse Search (5x, 15x, 60x), Forward Frame Advance, Reverse Frame Advance, Record Review, Clip Jump (Forward and Backward), Skip Playback
  Playback Functions: Inter-Media Copy (Single Clip, All Clips, Last Clip); Clip Delete (Single Clip, All Clips, Last Clip)
  Still Image Playback: Index, Single Playback, Erasure, Protect
Color Bars Color bars compliant with SMPTE, EBU, or ARIB standards can be selected
Inputs/Outputs  
SDI 3G-SDI: 2x BNC (output)
HDMI Output 1 x Type A
Genlock BNC (input only)
  Adjustment Range: -1023 to +1023
Time Code I/O 1 x BNC
  Drop Frame (DF) and Non-Drop Frame (NDF)
  Time Code Modes: Regen, Record Run, Free Run, and External Source
   
  Note: Drop Frame works with NTSC modes only and is not available in 24p
Audio Input Terminals 2 x Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) 1 x 3.5mm microphone jack
Headphone Connector 3.5mm stereo mini-jack
Remote 2.5mm LANC-compatible terminal
Wi-Fi WFT terminal for compatible Wi-Fi accessory
General  
Power Supply 14.4 VDC (battery pack), 16.7 VDC (DC input)
Dimensions (W x H x D) Approx. 5.9 x 7.2 x 7.2" / 149 x 183 x 183 mm (without grip)
  7.5 x 7.2 x 7.4" / 19.1 x 18.3 x 18.8 cm (with grip)
Weight Not specified by manufacturer
Packaging Info  
Package Weight 12.2 lb
Box Dimensions (LxWxH) 18.3 x 14.0 x 13.9"

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